Art of Recycling
7/8: I had the pleasure this week of working with potential U Helsinki postdoctoral researcher Daria Gritsenko, now PhD candidate (filed dissertation May and expecting degree October), who is studying geopolitics of Finnish and Russian maritime fuel transportation and port authority public sector administration (St. Petersburg, Viborg, Primorsk).
Our cultures of expertise collaborative research came by an introduction of her advisor, Dr. Veli–Pekka Tynkkynen, U Helsinki Professor in Russian Energy Policy at Aleksanteri Institute and Department of Social Research.
Daria skills includes identifying the integrity of phrases within sentence structure, providing a stiffening-of-the-neck experience when listening to her commentary regarding clarity at critical junctures across the page.
As with previous project description drafts we worked with, many of the items that have been sitting there — as if on proud display — through the critique of Daria, now appear as sunbathers, as if loafing on the page instead of taking initiative on the actual existing project.
It is an art of recycling.
From the special attention we now gather the following insight on correct scientific etiquette for deliberation toward future project research:
Item (1) the expert brings with her a vocabulary that in-advance represents an organically direct connection between empirical (or worldly) experience and firm grasp of the disciplinary register;
Item (2) there must be some total grasp of the object of focus from which present discussion goes forth, and thus, from now on, we impose acute requirements for having done one’s homework prior to meeting at hand.
Item (3) we impose a (likely voracious) appetite for improvement with all its requisite of personal preference of will to improve, that is, undiminished by insecurity, ambivalence, or cynicism.
Oh bother. The main luxury here is just…what inspiration when working alongside true collaborators and, of course, the joy of the work itself – to open up space with time to work through the details of research.
Bravo!
Thank you, again, Daria!
Wooden Entrance: Academy of Finland
7/7: A meeting at Academy of Finland, Culture and Society Research Unit with Science Adviser, Dr. Satu Hiiha-Cissokho, Hakaniemenranta 6.
Fascination with walking up wooden steps to a steel and glass building that houses state administrative functions. There, right in front of the modern structure rises the smell of old-world pinewood lumber baking under the summer sun.
Somewhere buried in this blog are references to Martin Heidegger‘s appeal to (wooden, leather) materials that take affect of human presence, what Dr. Nuccio Mazzullo instructed as the location where “human action comes into focus”.
A sentiment perhaps belonging to memories from anyone’s guess of what a high-altitude (Squaw Valley) or, in this case, high-latitude household wooden-deck-feeling can taste like after the complete thaw of winter snow — all the while, now cracking in summer splendor.
Is it no surprise that the Academy of Finland entrance does not double as a sunbathing platform?
Hot summers are a serious issue.
For me, the official “Finnish Summer” takes place on the 8th floor of the Stockmann Department store in the center of Helsinki — a culturally important shopping experience, according to the continuous intercom service announcement wafting inside of the building.
Nevertheless.
Most folks seek out a strip of pine deck upon which to lie, sun, and laze. Behold, the bitty quay located just minutes stroll from Academy of Finland.
Inside the building, I was presented with a ready-made security badge printed prior to my arrival.
The building lieutenants offered me directions for taking a seat in waiting rooms where several types of chairs to choose from lay about, providing me with a typical entrance experience [note to self].
Inside the conference room, a wall-hanging bronze plaque with the engraving Academy of Finland [Suomen Akatemia in Finnish] provided a moment of reflection.
Satu was quite generous with her time. She has special knowledge about European Research Council (ERC) operations, meaning that she belongs to a rarefied class of person living today across Europe who can actually make contact with a real-life person inside the ERC building in Brussels. 
It was with great pleasure and humility that the meeting took place at all.
Satu invited me to an opportunity to think carefully about submissions to ERC, and also, to take some photographs of our meeting location. Academy of Finland recently moved into this wooden entranced steel glass building, now occupying two entire floors.
In the end, wondering aloud during dinner over the unique design feature that is visible at street level from the appearance of lines drawn on glass from the outside of the building, I thought about whether it curtails the view from inside, when looking out on the Helsinki landscape.
It is an empirical question. The image above provides a measure of affirmative confirmation.
Yellow Interiors: Aleksanteri Institute
It is always a pleasure to meet with Anna Korhonen, Aleksanteri Institute administrator of research and grants. We shared several hours brainstorming over Marie Curie ideas in true collaborative spirit.
In the conversation, we turned to the specificity of expertise held by consultants, posing to ourselves the question: what is their basic trick, for example, in guiding knowledge to users for developing projects?
Speaking frankly, the added value of Aya van den Kroonenberg (apart from her cool name) is the ability to separate the clutter from the object at hand and to create a sanctified space where only practical activity and the art of focus can narrow the distance between oneself and objects of inquiry.
It is a rarefied talent that as social science researchers contemplating such things in the hallways of Aleksanteri Institute, made us tittle as we held our heads in wonder.
above: Helsinki
Paparazzi Ethnography 
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